The Manchester Museum’s specimen of the male Chinese Mitten Crab (Eriocheir sinensis), collected from Ribble Estuary, Lancashire, in 2007.
The Chinese Mitten Crab (Eriocheir sinensis) is an accidentally imported species in the North Sea, which is considered one of the World’s 100 worst invasive species. The crab first appeared in northern Germany in 1912. It was unintentionally brought from China, apparently as a stowaway in the ballast tanks of cargo ships. Since 1912, the crab has dramatically spread over northern Europe. It was first recorded from Thames River in 1935. Now it is also established in the Rivers Humber, Medway, Tyne, Wharfe and Ouse, increasing its range throughout England and Wales by several tens of kilometres a year. See here about Mitten Crab recording project in the UK.
This crab lives both in fresh and salt waters. In autumn, adult crabs undertake a mass migration from freshwaters…
In late January 2017, Ms Eleanor Smith of Wilmslow (Cheshire, UK) visited the Manchester Museum and brought a medium-sized spider (see Fig. 1) that was found alive in a bunch of bananas, in a supermarket (Lidl) near Wilmslow. As she was told, the bananas on which the spider was found were delivered from Colombia. Unfortunately, the spider was already dead because Eleanor had kept the jar with the spider in a fridge; far too cold for such a tropical creature. The specimen was found to belong to what is commonly known as ‘Banana Spiders’. It was a mature female that was identified as Sadala sp. in the family Sparassidae, huntsman spiders. The specimen is now deposited in the Manchester Museum’s spider collection (accession number G7585.1).
Fig.1Female of Sadala sp. (Sparassidae) imported to the UK from Colombia; the Manchester Museum (G7585.1).
Spiders that are incidentally imported with bananas are commonly…
The Manchester Museum’s collection of Harlequin Ladybirds recently acquired under the ongoing museum project ‘Thematic collecting’.
Recently, the Manchester Museum’s Entomology Department acquired some specimens of the Harlequin Ladybird, an invasive beetle species that appeared in Britain (Essex) in 2004 only, but is now a widespread and even dominant species of ladybirds in the UK.
Harlequin Ladybird – Harmonia axyridis (Pallas, 1773) (Coleoptera: Coccinellidae) – is a beetle species in the same family with the Seven-spot and Two-spot Ladybirds, both being considered gardener’s best friends as natural enemies of aphids and other garden pests. Harlequin Ladybird was deliberately introduced from east parts of Eurasia, where it is a native species, to many places of continental Europe as a biological agent to control aphids (=greenflies) and scale insects. As Harlequin Ladybird has excellent dispersal abilities (by means of flight), it was just the matter of time until it…
Interview with Martina who works at the Mosaik Workshop in Mytilene on the island of Lesvos in early December 2016 as part of Manchester Museum’s Collecting Life project. You can also see bags made out of recycled materials from abandoned life jackets on display in the Museum entrance.
Three months to the day that I visited the Greek island of Lesvos, the refugee’s life jacket that I collected there has gone on display in the entrance to Manchester Museum. The life jacket is just one of hundreds of thousands of life jackets abandoned on the island by refugees, many of them fleeing the civil war in Syria. Some 500,000 people have been killed in the Syrian conflict and eleven million people have been forced to leave their homes. Some refugees enter the European Union by crossing the narrow but dangerous straits between Turkey and Lesvos, and tragically some have lost their lives. Nearly 100 people drowned off the coast of Lesvos in just one week in 2016.
As part of the ‘Collecting Life’ project at Manchester Museum I interviewed a Syrian man now living in Manchester, the municipal authorities in Mytilene on Lesvos, two aid workers from the camp for vulnerable refugees at Kara Tepe, the manager of a workshop where life jackets are recycled to make bags and a lecturer at the University of the Aegean. Short films of the interviews can be seen on an AV screen next to the life jacket. The interpretation includes photographs taken by photographers who kindly allowed us to use their work for free or at a discounted rate: Nikolas Giorgiou, Giannis Iliadis and Rasmus Degnbol.
We are displaying this life jacket as an example of our new approach to collecting, to address current issues. It is particularly important that Manchester Museum collect objects and interviews about current issues such as migration because our mission is to promote understanding between different cultures and to work towards a more sustainable world. Migration, we know, was an important factor affecting the outcome of the Referendum about Britain’s membership of the European Union and in the election of Donald Trump as president of the U.S.A. We hope that this work will help us to reach out to Syrian members of the community as well as other diaspora communities.
This socially-engaged work is all the more important in the aftermath of the Referendum. By doing this work of this kind the Museum aligns itself with values of compassion, tolerance and mutual respect. The Common Cause Foundation is currently working with the Museum to develop this aspect of what we do. When I attended the ‘Working Internationally in a Post Brexit World’ conference held at the Natural History Museum on 2nd March 2017 there was tremendous interest in the Museum’s life jacket project. We’d like to see how the display can showcase the compassionate values we advocate and represent.
We’d welcome any comments or thoughts you may have on the project. You can comment using social media. Share your thoughts with us using #MMLifeJacket
About 30-40% of the visitors to the Manchester Museum’s Entomology Department are art or design students and professionals, who come over to get inspired by the variety of insect shapes, colours and patterns, and to talk to the museum curatorial staff about what interests them. Museum’s curators are especially pleased when such visits result in something tangible, such as an installations, original ideas for contemporary product and/or jewellery design, and, of course, pure examples of fine art.
Here we are pleased to present an interview with Robin Gregson-Brown, a Lepidoptera artist as he calls himself, from Derbyshire (recorded 20th October 2016). At the age of 80 and in retirement, Robin has embarked a new career of poetic artist of nature. And what could be more beautiful nature’s beautiful creatures than moths and butterflies? Hardly anything! Robin is fascinated by Lepidoptera all his life and now started to satisfy his passion by painting them in mixed media.
In collaboration with the Derby Museum and the Manchester University Museum, he has produced a series of spellbinding images of endangered and extinct butterflies, which were displayed once in his personal exhibition at the Derby Museum (22nd May – 5th June 2016).
Continuing the series of blog posts telling the story of my visit to the Greek island of Lesvos in December 2016 to collect a refugee’s life jacket for Manchester Museum…
After my visit to Kara Tepe, I visited a camp for vulnerable refugees at Pikpa with Dr Yulie Tzirou of the University of the Aegean. The first thing you see on arrival is a line of life jackets tied to the gate bearing letters that say ‘Safe Passage’ and this is also stamped on the bags made from recycled materials at Mosaik. Fortunately, on this occasion I was allowed to take photos and I interviewed some of the staff working there and saw the chalets where the refugees live. I asked Yulie for permission to take the photos you see in this blog and no photos or films were taken showing refugees out of respect for their dignity. Pikpa is much smaller than Kara Tepe, and Yulie referred to it several times as a community.
Refugees could come and go as they wished, there was a kitchen, communal cooking and eating facilities and heated accommodation, some of it made from recycled boats abandoned on the Lesvos coast. The refugees had a garden and they composted waste material from the kitchens. I interviewed Yulie and a volunteer called Imelda who organises classes for the children. Imelda told me how important it was that the children should have order and stability in their lives after everything that they had gone through. There was a happy and welcoming atmosphere in the camp.
I came away from Pikpa full of the greatest admiration for the humanitarian work undertaken by the volunteers. Whilst there is an agreement with Turkey to patrol the borders more closely and a reciprocal scheme to take refugees from camps in Turkey in return for taking refugees from Lesvos, refugees are still arriving on the island, albeit in much smaller numbers than last year. The new arrivals need help and support. Time will tell whether the agreement continues to hold but if it breaks down the island may face the large numbers of refugees making the crossing from Turkey as happened in 2015.
Now that the life jacket is in the Museum we are making plans to put it on display together with bags made from recycled life jackets. The Museum hopes to be able to host a temporary exhibition about the refugee crisis in Lesvos during Refugee Week 2017 (19th to 25th June). Students from the University of Manchester’s Art Gallery and Museum Studies (AGMS) course will work on the exhibition, which is inspired by an exhibition about the refugee crisis shown in Mytilene and Athens. At the time of writing it is also hoped to work on this project with students from the University of the Aegean.
In this modest way we hope to engage our visitors about the collecting life project theme of migration. Through it we will tell visitors about the humanitarian response to the refugee crisis and hopefully generate interest and support for the work of the volunteers and organisations trying to help refugees. Director of the Manchester Museum, Nick Merriman, wrote in January’s Museum’s Journal that the Brexit vote had revealed ‘a vein of intolerance and xenophobia that we hoped had been consigned to the past’. In the aftermath of the Brexit vote it is now important more than ever that we do not lose sight of the values of compassion, tolerance and mutual respect that are enshrined within our museums and art galleries. If the collecting life project also gives a boost to acquiring contemporary and topical objects for museum collections, then so much the better.
This collecting life visit would not have been possible without the help and support of a number of individuals and institutions: the Mayor of Municipality of Mytilene, Mr Gallinos, and his Senior Advisor, Mr Andriotis; Dr Evi Sampanikou, Dr Yulie Tzirou, Dr Katarina Nikolarea and Prof Dmitri Papageorgiou at the University of the Aegean; Martina at Mosaik; and last but not least Dr Areti Damala at the University of Strathclyde who very kindly facilitated the initial contact with staff at the University of the Aegean. To all of the above and all the other Greek people and refugees I met on my visit to Lesvos, I’d like to express my sincerest thanks and those of the Manchester Museum.
Read about the installation of the refugee’s life jacket in the following blog post:
Continuing the blog posts telling the story of my visit to the Greek island of Lesvos in December 2016 to collect a refugee’s life jacket for Manchester Museum…
After visiting the workshop at Mosaik in Mytilene where life jackets are recycled and made into bags, I went to the refugee camp at Kara Tepe. This turned out to be a frustrating experience because although I had an official permit, I was not allowed to visit the camp. I learnt later that there had been some sort of disturbance and that I’d arrived at a difficult time.
Katerina Nikolarea and the Restoring Family Links initiative
I withdrew and sought the help of my new friends at the University of the Aegean, especially Katarina Nikolarea, who volunteers for the Mytilene branch of the Hellenic Red Cross. She very kindly arranged for me to visit Kara Tepe the following day. I also interviewed Katarina and she told me how the ordinary people of Lesvos had responded generously and spontaneously in the early days of the crisis by giving the refugees clothes and shoes, and food and water. Prices were discounted in shops to help refugees. This story often doesn’t get told. The help given by ordinary Greek people on the island is even more laudable given the economic problems that Greece has experienced in recent years.
Katarina told me about how her local branch of Hellenic Red Cross was helping refugees to keep in touch with one another. The Restoring Family Links initiative helps refugees to find and contact family members and loved ones. I learnt that families and friends are often split up by the people traffickers in order to cram as many people into the boats as possible. Refugees sometimes have no idea whether their nearest and dearest have even survived the crossing so this is a really important thing to do.
At the height of the crisis last year (2015) up to 6,000 refugees were arriving on the beaches of Lesvos every day, and this on an island with a Greek population of only 87,000. Refugees were sleeping rough on the streets and the island’s authorities were largely left to cope on their own to begin with. Since the signing of an agreement with Turkey earlier in 2016 the numbers of refugees have fallen dramatically but there are still camps with people either waiting for their papers to travel to countries in mainland Europe or to be returned to Turkey. They have the right of appeal and relatively few have returned to Turkey. Vessels from Frontex patrol the straits between Lesvos and Turkey.
The following day I succeeded in visiting the camp at Kara Tepe but sadly I was not allowed to take photographs nor film any interviews. I took some toys to give to the children in the camp. A guide showed me round. It was well-managed, tidy and comfortable, with a range of facilities for the guests as she called them and everyone seemed content in the circumstances. In the middle of the camp there is a monument built by the refugees using recycled material from boats they’d used to cross to Lesvos. My guide was not at liberty to answer questions that were considered sensitive, such as how many guests there were at Kara Tepe. I certainly wanted to respect the dignity of the refugees but I feel that we lost an opportunity to do some good in raising the profile of the refugees as part of the collecting life project at Manchester Museum. I was very grateful for the opportunity to see Kara Tepe and I naturally respect the wishes of the authorities in protecting the dignity of the people staying there but it means I was unable to make any visual record of my visit.
All was not lost, however, because later in the afternoon I visited a camp run by volunteers for vulnerable refugees at Pikpa. Again my visit there came about because of the good will of staff the University of the Aegean, to whom I am very grateful.
This, the third instalment of the series of blog posts about my visit to Lesvos in December 2016, will be continued tomorrow with an account of a visit to the refugee camp at Pikpa.
Continuing the blog posts telling the story of my visit to the Greek island of Lesvos in December 2016 to collect a refugee’s life jacket for Manchester Museum…
After taking receipt of life jacket or ‘sosivio’ from the Town Hall in Mytiline in Lesvos, I visited a centre for refugees called Mosaik with Dr Yulie Tzirou, a lecturer at the University of the Aegean, to see how life jackets are recycled to make into bags. There I met Martina, the Greek lady in charge of the workshop.
So many refugees have made the crossing to Lesvos and abandoned their life jackets on landing that piles upon piles of life jackets and inflatable boats have accumulated on the shores of the island. Both Greek volunteers and refugees work at the centre. There are also creative activities and language lessons, and access to legal advice. The refugees now on Lesvos can’t leave the island until their claims for asylum are processed with takes a long time. Without centres such as Mosaik there would be relatively few opportunities for them.
The sheer number of life jackets that have been abandoned on the island represents an environmental problem on a massive scale and one that the Deputy Mayor in charge of cleansing, Mr Kantzanos, has worked extremely hard to clear up. The life jackets that were lying on the beaches were also having an impact on tourism, which is an important source of income to the island during the summer. Making the discarded life jackets into bags helps deal with the problem and raises some money for the voluntary organisation that is trying to help the refugees.
In between visits to the Town Hall to collect the life jacket and to Mosaik to see recycling I found time to visit the Lesvos archaeological museum to see the beautiful Roman mosaics from the House of Menander. One shows Orpheus playing music surrounded by wild animals. Another smaller mosaic shows a large octopus stealing fish from a fishing boat. Although this is from a later period in Roman history it was a great opportunity to take some photographs for the temporary exhibition about Pliny the Elder and Roman Natural History scheduled for 2018. The octopus, in particular, is reminiscent of the story in the Natural History about a 60lb monster that raided fish farms in the province of Baetica in Southern Spain. A fence was built to keep it out with no success (what is it with Romans and walls?) and finally it was cornered with dogs and killed and ended up on display pickled in the governor’s residence as a sort of tourist attraction.
The next instalment of this blog about my visit to the island of Lesvos to collect a refugee’s life jacket will be released shortly.